Discourse, Bind 28,Oplag 2–32006 |
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Side 10
... means of seeing the deceased in life , probably before he had ever seen a moving - image of a dead person . He thinks of such an image as a means of mitigating mourning . Photographs of the dead , so common in the nineteenth century ...
... means of seeing the deceased in life , probably before he had ever seen a moving - image of a dead person . He thinks of such an image as a means of mitigating mourning . Photographs of the dead , so common in the nineteenth century ...
Side 134
... mean by " magical " ? We do not mean that Don Justo's boots give him the power to transcend age and distance and transport him easily to his destination . And we do not mean that Guido's make - believe game with his son erases the ...
... mean by " magical " ? We do not mean that Don Justo's boots give him the power to transcend age and distance and transport him easily to his destination . And we do not mean that Guido's make - believe game with his son erases the ...
Side 218
... means " indul- gent " ( what we would now , perhaps , call " child - centred " ) for paideía also means chastisement ( in the service of good breeding and proper conduct ) . This " in the service of " is so critical that paideía is also ...
... means " indul- gent " ( what we would now , perhaps , call " child - centred " ) for paideía also means chastisement ( in the service of good breeding and proper conduct ) . This " in the service of " is so critical that paideía is also ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York