Discourse, Bind 28,Oplag 2–32006 |
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Side 59
... look " in the way the film sets out to remove Marty's incestuous dilemma and restore what it perceives , admittedly with a fair amount of wit , to be “ proper ” familial relationships : George , not Marty , must take Lor- raine to the ...
... look " in the way the film sets out to remove Marty's incestuous dilemma and restore what it perceives , admittedly with a fair amount of wit , to be “ proper ” familial relationships : George , not Marty , must take Lor- raine to the ...
Side 102
... look of Hong Kong male stars of the earlier period and thus presented a different kind of mas- culine beauty unfamiliar to Korean audiences at that time . They are known as " pretty boys " rather than the " rugged , macho men , ” who ...
... look of Hong Kong male stars of the earlier period and thus presented a different kind of mas- culine beauty unfamiliar to Korean audiences at that time . They are known as " pretty boys " rather than the " rugged , macho men , ” who ...
Side 117
... look different , who talk differently , who don't fit our conception of how people ought to be and look . When we see people like this , we try to impose our cate- gories . This is the paradox of human rationality ; if we didn't have it ...
... look different , who talk differently , who don't fit our conception of how people ought to be and look . When we see people like this , we try to impose our cate- gories . This is the paradox of human rationality ; if we didn't have it ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York