Discourse, Bind 28,Oplag 2–32006 |
Fra bogen
Resultater 1-3 af 24
Side 84
... literature while keeping another always a stranger to its secrets . This begs the question : what kind of reader does Bungakuron assume ? What happens when that imagined reader is confronted with the immense implication of its ...
... literature while keeping another always a stranger to its secrets . This begs the question : what kind of reader does Bungakuron assume ? What happens when that imagined reader is confronted with the immense implication of its ...
Side 93
... literature is not a feeling peculiar to Sōseki or , for that mat- ter , anyone else encountering English literature at the turn of the century in Japan and elsewhere . When Sōseki traveled to London to study English literature ...
... literature is not a feeling peculiar to Sōseki or , for that mat- ter , anyone else encountering English literature at the turn of the century in Japan and elsewhere . When Sōseki traveled to London to study English literature ...
Side 97
... Literature was published in Japan at around the same time with authoritative acclaim . 34 Matsui Sakuko wrote about the rudimentary state of English literature stud- ies in Sōseki's London in Natsume Sōseki as a Critic of English Literature ...
... Literature was published in Japan at around the same time with authoritative acclaim . 34 Matsui Sakuko wrote about the rudimentary state of English literature stud- ies in Sōseki's London in Natsume Sōseki as a Critic of English Literature ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
6 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York