Discourse, Bind 28,Oplag 2–32006 |
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Side 52
... film's own ambivalence , than of the gap between popular viewing and academic critical interpre- tation themselves , that is to say , between what a mainstream audi- ence sees at the film's putative surface , and what the academic ...
... film's own ambivalence , than of the gap between popular viewing and academic critical interpre- tation themselves , that is to say , between what a mainstream audi- ence sees at the film's putative surface , and what the academic ...
Side 53
... film's formal and stylistic regressions may be reinterpreted without sac- rificing the aggressive presence of the film's sheer surface , but also without irretrievably isolating the theorist's inevitably diffi- cult response from the ...
... film's formal and stylistic regressions may be reinterpreted without sac- rificing the aggressive presence of the film's sheer surface , but also without irretrievably isolating the theorist's inevitably diffi- cult response from the ...
Side 57
... film's message at this moment is clear : in the 1950s , African Americans are sweeping floors , but by the 1980s they will be running governments . Or more precisely- and here is the film's characteristic recasting of historical ...
... film's message at this moment is clear : in the 1950s , African Americans are sweeping floors , but by the 1980s they will be running governments . Or more precisely- and here is the film's characteristic recasting of historical ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York