Discourse, Bind 28,Oplag 2–32006 |
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Side 4
... discourse , and prac- tices of everyday life . Applying pressure to received notions of com- mon sense - naturalized and habituated modes of thinking , sensing , and perceiving the world - transvaluation seeks to animate uncommon sense ...
... discourse , and prac- tices of everyday life . Applying pressure to received notions of com- mon sense - naturalized and habituated modes of thinking , sensing , and perceiving the world - transvaluation seeks to animate uncommon sense ...
Side 30
... discourse on , or visual representation of the mind , that does not make use of analogy and , in the first part of this essay , I offer a brief , historical comment on the function of analogy in philosophical , scientific , and ...
... discourse on , or visual representation of the mind , that does not make use of analogy and , in the first part of this essay , I offer a brief , historical comment on the function of analogy in philosophical , scientific , and ...
Side 92
... discourse of race and a history of mastery and enslavement . Thus , Sōseki's relationship to English literature has been dramatized in Komori's account , as an encounter with a hegemonic force that he is unable to master but must ...
... discourse of race and a history of mastery and enslavement . Thus , Sōseki's relationship to English literature has been dramatized in Komori's account , as an encounter with a hegemonic force that he is unable to master but must ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York