Discourse, Bind 28,Oplag 2–32006 |
Fra bogen
Resultater 1-3 af 27
Side 7
... concept of " life . ” Cinema and the motion - picture technologies associated with it were invented and cultivated in a soci- ety whose moral , legal , economic , and semantic values organized themselves around " life . " In modern ...
... concept of " life . ” Cinema and the motion - picture technologies associated with it were invented and cultivated in a soci- ety whose moral , legal , economic , and semantic values organized themselves around " life . " In modern ...
Side 8
... concept of “ life . ” 2 The correspondence between Deleuze's and Foucault's final texts exemplifies a turn in contemporary philosophy , which according to Agamben can only be a philosophy of life . Agamben calls for future philosophy to ...
... concept of “ life . ” 2 The correspondence between Deleuze's and Foucault's final texts exemplifies a turn in contemporary philosophy , which according to Agamben can only be a philosophy of life . Agamben calls for future philosophy to ...
Side 24
... concept of life differently . Derrida does so by reworking death through the ghost . Since death and life conjugate ... concept , but a potential concept , and thus his affirmation is a virtual affirmation . Between the writings about ...
... concept of life differently . Derrida does so by reworking death through the ghost . Since death and life conjugate ... concept , but a potential concept , and thus his affirmation is a virtual affirmation . Between the writings about ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
6 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York