Discourse, Bind 28,Oplag 2–32006 |
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Side 18
... cinema brings him into contact with Orgier's ghost who he welcomes with an attitude consistent with Specters of ... Cinema pre- If Derrida's experience of making and seeing films allowed him to refigure life and death as otherwise than ...
... cinema brings him into contact with Orgier's ghost who he welcomes with an attitude consistent with Specters of ... Cinema pre- If Derrida's experience of making and seeing films allowed him to refigure life and death as otherwise than ...
Side 22
... cinema gains the ability to reflect explicitly on life and a certain ten- dency in the new cinema participates in a transvaluation of life by preparing to think it . In Chapter 7 of Cinema 2 , the cinema undergoes a sort of death ...
... cinema gains the ability to reflect explicitly on life and a certain ten- dency in the new cinema participates in a transvaluation of life by preparing to think it . In Chapter 7 of Cinema 2 , the cinema undergoes a sort of death ...
Side 26
... cinema see Akira Mizuta Lippit's Atomic Light ( Shadow Optics ) ( Minneapolis : University of Minnesota Press , 2006 ) . 25 Derrida and Stiegler , 115 . 26 Peter Brunette and David Wills , eds . Deconstruction and the Visual Arts : Art ...
... cinema see Akira Mizuta Lippit's Atomic Light ( Shadow Optics ) ( Minneapolis : University of Minnesota Press , 2006 ) . 25 Derrida and Stiegler , 115 . 26 Peter Brunette and David Wills , eds . Deconstruction and the Visual Arts : Art ...
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
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Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York