Discourse, Bind 28,Oplag 2–32006 |
Fra bogen
Resultater 1-3 af 27
Side 31
... frame - by - frame montage that we find , for instance , in Arnold's films . As far as avant - garde film is con- cerned , the term special effect has to be understood as a structural mode of visual communication that describes the ...
... frame - by - frame montage that we find , for instance , in Arnold's films . As far as avant - garde film is con- cerned , the term special effect has to be understood as a structural mode of visual communication that describes the ...
Side 40
... frame - by - frame . He has described his ambition for his own filmmaking practice as being to bring some of what is being excluded , denied , and repressed in Hollywood cinema to the sur- face , but it is Akira Mizuta Lippit who has ...
... frame - by - frame . He has described his ambition for his own filmmaking practice as being to bring some of what is being excluded , denied , and repressed in Hollywood cinema to the sur- face , but it is Akira Mizuta Lippit who has ...
Side 131
... Frame cap- ture from La vita. Fig . 1 : Frame cap- ture from Historias mínimas ( Carlos Sorin , 2002 ) . Fig . 2 : Frame cap- ture from Historias mínimas . Fig . 4 : Frame cap- ture from La vita. Spring and Fall 2006 131.
... Frame cap- ture from La vita. Fig . 1 : Frame cap- ture from Historias mínimas ( Carlos Sorin , 2002 ) . Fig . 2 : Frame cap- ture from Historias mínimas . Fig . 4 : Frame cap- ture from La vita. Spring and Fall 2006 131.
Indhold
Special Effects in Martin Arnolds and Peter Tscherkasskys Cinema | 28 |
Two Readings | 51 |
Reading Natsume | 78 |
Copyright | |
6 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Adrian Piper American Andy Hardy argues Arnold's Asian audience avant-garde avant-garde film become body boots Bungakuron Butler Caucasian Chinese cinematograph concept critical critique death deconstruction Deleuze Derrida desire dialectical discourse Don Justo Dream ence English essay essence experience film industry film's filmmakers finitude Frame cap genre ghost Gilles Deleuze Giosuè global Guido Hegel Heidegger Heidegger's Historias mínimas Hollywood Hong Kong cinema Hong Kong films Ibid identity Jacques Derrida Judith Butler Korean cinema Korean film language Levinas literature living Malacara Marty Marty's metaphor metaphysics modern Monty movement Mythic narrative Natsume Sōseki object ontological Outer Space philosophy Piper political possibility present question racial relationship renvois representation rice and potato rice queen Robert Zemeckis San Julián scene sense sexual social Sōseki spectators specter spectrality story sub-iectum theory thinking thought tion Tokyo trans transvaluation Tscherkassky ture University Press viewer visual World Picture writes York