Anthologia Anglica, a new selection from the English poets from Spenser to Shelley, with short literary notices by H. Williams |
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Side 6
... tree whose branches did not bravely spring ; No branch whereon a fine bird did not sit ; No bird but did her shrill notes sweetly sing ; No song but did contain a lovely ditt . Trees , branches , birds , and songs , were framed fit For ...
... tree whose branches did not bravely spring ; No branch whereon a fine bird did not sit ; No bird but did her shrill notes sweetly sing ; No song but did contain a lovely ditt . Trees , branches , birds , and songs , were framed fit For ...
Side 11
... trees upshooting high , The dales for shade , the hills for breathing space , The trembling groves , the crystal running by , And , that which all fair works doth most aggrace , The art which all that wrought appeared in no place . LIX ...
... trees upshooting high , The dales for shade , the hills for breathing space , The trembling groves , the crystal running by , And , that which all fair works doth most aggrace , The art which all that wrought appeared in no place . LIX ...
Side 13
... trees , thence to defend The sunny beams which on the billows bet , And those which therein bathed might offend . As Guyon happened by the same to wend , Two naked damsels he therein espied , Which therein bathing seemed to contend And ...
... trees , thence to defend The sunny beams which on the billows bet , And those which therein bathed might offend . As Guyon happened by the same to wend , Two naked damsels he therein espied , Which therein bathing seemed to contend And ...
Side 39
... trees , stones , and floods ; Since naught so stockish , hard , and full of rage , But music for the time doth change his nature . The man that hath no music in himself , Nor is not moved with concord of sweet sounds , Is fit for ...
... trees , stones , and floods ; Since naught so stockish , hard , and full of rage , But music for the time doth change his nature . The man that hath no music in himself , Nor is not moved with concord of sweet sounds , Is fit for ...
Side 53
... trees in the Hesperides ? Subtle as Sphinx ; as sweet and musical As bright Apollo's lute , * strung with his hair ; And , when Love speaks , the voice of all the gods * A simile borrowed by Milton in Comus ' How charming is divine ...
... trees in the Hesperides ? Subtle as Sphinx ; as sweet and musical As bright Apollo's lute , * strung with his hair ; And , when Love speaks , the voice of all the gods * A simile borrowed by Milton in Comus ' How charming is divine ...
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Anthologia Anglica, a New Selection from the English Poets from Spenser to ... Anthologia Anglica Ingen forhåndsvisning - 2019 |
Almindelige termer og sætninger
Author beauty behold beneath birds blood bower breast breath bright CATHERINE WINKWORTH charming clouds Comus Crown 8vo dark death deep delight divine doth dream e'en earth Edition English English poetry eternal eyes Faery Queen fair Faithful Shepherdess fame fancy fear flowers gaze genius gentle Giaour golden grace green groves hath hear heart heaven heavenly HISTORY JOHN STUART MILL JOHN TYNDALL King light live Lord melody Midsummer Night's Dream moon morn mortal mountain muse nature Nature's never night nymph o'er pain Paradise Paradise Lost passion pleasure poem poet poetic poetry Post 8vo Prometheus Unbound PUBLISHED BY LONGMANS Queen Queen Mab revised round scene seem'd shade sight sing sleep smiles soft song soul sound spirit spring star stream sweet tears thee thine thou art thought verse voice vols wave wild wind wings Woodcuts woods
Populære passager
Side 58 - A blank, my lord. She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek: she pined in thought; And, with a green and yellow melancholy, She sat like patience on a monument, Smiling at grief.
Side 34 - The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Side 280 - Muse, The place of fame and elegy supply: And many a holy text around she strews That teach the rustic moralist to die. For who, to dumb forgetfulness a prey, This pleasing anxious being e'er resign'd, Left the warm precincts of the cheerful day, Nor cast one longing lingering look behind?
Side 163 - Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine...
Side 432 - He has outsoared the shadow of our night ; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again.
Side 143 - HENCE, loathed Melancholy, Of Cerberus and blackest Midnight born In Stygian cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy ! Find out some uncouth cell Where brooding Darkness spreads his jealous wings And the night-raven sings ; There under ebon shades, and low-brow'd rocks As ragged as thy locks, In dark Cimmerian desert ever dwell.
Side 215 - A man so various that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts and nothing long; But in the course of one revolving moon Was chymist, fiddler, statesman, and buffoon; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Side 76 - Who is Silvia ? what is she, That all our swains commend her ? Holy, fair and wise is she ; The heaven such grace did lend her That she might admired be. Is she kind as she is fair ? for beauty lives with kindness : Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling ; She excels each mortal thing Upon the dull earth dwelling ; To her let us garlands bring.
Side 277 - Beneath those rugged elms, that yew-tree's shade Where heaves the turf in many a mouldering heap, Each in his narrow cell for ever laid, The rude Forefathers of the hamlet sleep. The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
Side 32 - All the images of nature were still present to him, and he drew them not laboriously, but luckily. When he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation. He was naturally learned. He needed not the spectacles of books to read nature. He looked inwards, and found her there.