66 Khedive (moodily). Humph! Wish the Egyptian quarters were trustworthy." Grande action diplomatique? Quite makes one's mouth water! Sultan. Doesn't it? The same infernal-but influential-news-sheet says: "The young KHEDIVE knows that not only would he meet with a personally kindly reception, but that the grievances he is known to be anxious to pour out would fall on ready ears." There, at least, the Giaour" rag" is right. Pour away, my ABBAS! "Keep your eye on your father-or Suzerain-and he will pull you through." [Winks and whiffs. Will he, though? Khedive (whiffing and winking). And that Turkish Bodyguard ? Sultan (warmly). At your service at any moment, my dear ABBAS! Khedive (smoking furiously with closed eyes). Ah! if they would only let me alone, let me rule my subjects in my own Oriental way-as you do yours in Armenia, for example-then, indeed, I could have a good time, and plenty of treasure. Sultan (significantly). Out of which my little formal trifle of Tribute might come easily and regularly-eh, ABBAS? Khedive. Quite so, Padishah! Bah! These brutal, blundering Britishers don't understand the Art of Government as adapted to Eastern Ideas. Sultan (soothingly). Well, never mind, ABBAS. We'll lay our heads together, anon, now you are here, and-who knows? Meanwhile, let's enjoy ourselves. Something like a "Turkish Occupation this- eh? And how do you like this Turkish tobacco ? Khedive (blowing vigorously). Smokes easily, and makes a big cloud. In which I fancy I can see myself driving the British Lion out of the Nile Valley at the point of the bayonet. Sultan (dreamily). And I picture myself comfortably replenishing my Treasury with that Tribute! Like music, ABBAS? Khedive (uneasily). Ye-e-e-s. Why! Sultan (promptly). Then I'll tip you something soothing. I'll sing thee songs of Arabi, And tales of far Cash ne-ar! Strange yarns to move thee to a smile, Or melt thee to a te-ar ! [Sings. And dreams of delight shall hover bright, Of artful "fake," which well may wake Wild wonder in thine eyes. I'll move thee to a smile With dreams of far Cash ne-e-e-e-ar! LACONIC. Passenger. "CAN YOU TELL ME WHAT ARE THE TIMES FOR THESE 'BUSSES TO LEAVE THE SWISS COTTAGE?" Driver. "QUARTER AFTER-'ARF AFTER-QUARTER TO-AND AT!" A VISION OF ROYALTY. (Written after a surfeit of the Illustrated Papers.) YE Royalties of England, how beautiful ye are ! The special artists claim you, they track you from afar. In uniforms and diamonds, with sceptre and with crown,' In many a picture-paper those artists set you down. And thus the British public may gaze upon its QueenThey make her small, but dignified, of most majestic mien. She smiles-the artist marks her; she frowns-the artist quails, And soothes himself by drawing H.R.H. the Prince of WALES. He draws him at foundation stones, a trowel in his hand (The point of silver trowels I ne'er could understand); He draws him opening railways, or turning sods of grass, And he draws him as a Colonel, in helmet and cuirasse. We see him dressed for London, a-riding in the RowI wonder if he ever finds his London pleasures slow; And we see him down at Sandringham, his country-home in Norfolk, Where the Royal pair are much beloved, especially by poor folk. And oft at public dinners, in Garter and in Star, We see his Royal Highness enjoying his cigar. I wish they wouldn't vary quite so much his Royal figure, I know by heart my Prince's face, my future King's contours. A stiff examination in the Prince of WALES I'd pass, The Duke of YORK, our Sailor Prince, I think I've got him pat; Since he went and popped the question to the pretty Princess MAY. Oh, Princess MAY, oh, Princess MAY, in crayon or in oil you So this, my meek petition, to those artists is addressed, I cannot bear my Royal ones-of loyalty I'm full- LINES IN PLEASANT PLACES.-Sala's Journal, full of interesting and entertaining matter, has lately been giving very sensible advice as to Palmistry, which is again in vogue. The Palmists appear to be doing so uncommonly well just now, that this year will be memorable, for them at least, as "the Palmy days" of chiromancy. Lor, look at the dust on all the A SLAVE TO COURTESY. He. "Do YOU MIND STOPPIN' A BIT NOW. I GET RATHER GIDDY, 64 THE SONG OF THE SHOP- WILL the Season be long? Money remarkably "tight"! THE VOLUNTEERS' VADE (For the Centre Weeks of July.) Question. Do you prefer Bisley to Wimbledon ? Answer. Officially, yes; as a civilian, no. Q. Why do you make the distinction ? A. Because I go to Bisley in a double capacity. Q. Why do you prefer Bisley to Wimbledon officially? A. Because there are no distractions, and the ranges are less subject to atmospheric interruption. Q. Why do you prefer Wimbledon to Bisley as a civilian? A. Because Wimbledon was an extremely cheery place, where you could entertain your friends to your heart's content, and have a generally good time of it. Q. Can you not obtain the same advantages at Bisley? 4. Certainly not. You are in the neighbourhood of Woking Cemetery, and that melancholy spot influences its surroundings. Q. But were you not always regretting the attractions of Wimbledon when you were Surrey? A. Certainly, because they lured me from work. 10 A. More than ever, because they were certainly pleasanter than Q. And now, in conclusion, what do you think of this year's -they have everything lovely as it is!... 'ARRIET, when [And so says Mr. Punch. Q. What do you mean by that? A. That those who win owe their good shots to flukes, and those who fail have to thank their rifles, and the state of the weather. 66 So LIKE THEM!"-Of all the numerous "memorials" of the Royal Wedding, Count WALERY'S " Wedding Number of Photographic Portraits" takes the wedding cake. It is priced at three shillings and sixpence, and for this you get one English sovereign and "royalties." If this isn't good value for money we don't know what is. THE SKIRT-DANCER, OR UNLIMITED LOIE-ABILITY.-When a theatre is doing good business," and is crammed in every part, placards are exhibited, announcing "Pit Full, Stalls Full. Boxes Full,'" &c.. &c. But at the Gaiety just now, where Miss LOIE FULLER is appearing, the management might simply put up outside the simple statement of fact-"FULLER EVERY EVENING!" THE ECLIPSE RIDDLE.-Why didn't La Fièche win the Eclipse Stakes P-Because she wanted to keep out of Orme's way. THINGS ONE WOULD RATHER HAVE EXPRESSED DIFFERENTLY. Sir Pompey (so much in earnest that he forge's his Grammar). "WELL, ALL I CAN SAY IS THIS, THAT WHAT I GIVE IN CHARITY IS MRS. NICKLEBY IN THE CHAIR. A Song of Sympathetic Suggestion. ["Poor Mrs. NICKLEBY, who had at no time been remarkable for the possession of a very clear understanding, had been reduced by the late changes in affairs to a most complicated state of perplexity.... I don't know what to think, one way or other, my dear,' said Mrs. NICKLEBY; 'NICHOLAS is so violent, and your uncle has so much composure, that I can only hear what he says, and not what NICHOLAS does. Never mind-don't let us talk any more about it.'... "Now Mrs. NICKLEBY was not the sort of person to be told anything in a hurry, or rather to comprehend anything of peculiar delicacy or importance on a short notice.... "Anybody who had come in upon us suddenly would have supposed that I was confusing and distracting, instead of making things plainer; upon my word they would.'. "I am very sorry indeed,' said Mrs. NICKLEBY. I am very sorry indeed for all this. I really don't know what would be the best to do, and that's the truth; ... but if it could be settled in any friendly manner-and some fair arrangement was come to, so that we undertook to have fish twice a week, and a pudding once, or a dumpling, or something of that sort, I do think it might be very satisfactory and pleasant for all parties." "This compromise, which was proposed with abundance of tears and sighs, not exactly meeting the point at issue, nobody took any notice of it." Dickens's" Nicholas Nickleby."] AIR-" Nickledy Nod." OH! where are we next to be carried, NOTHING TO NOBODY!" Obstruction's becoming a bore; We're victims of boor, clown, and cad. It seems of our "noble six hundred " A solid majority's mad! DICKENS was surely prophetic, My own dear NICKLEBY NOD! The plight of yourself is pathetic, The state of the House appears odd. Can't we live quiet and decent? The shindy makes common sense sad: It seems from occurrences recent The mass of the House must be mad! And Nemesis looks leaden-shod. "Settled in some friendly manner?" "Some fair arrangement?"-with RUSSELL? Of mild, muddled, well-meaning mooner, NEWS FROM UGANDA.-"A conference," so the Times special lately wrote, "took And the bulk of the House is gone mad? place between Bishop TUCKER and Mon Cynics may find it amusing. My own dear NICKLEBY NOD, This venomous mutual abusing. Thersites seems ranked as a god. Billingsgate sways our big swells, Talent plays Brummagem Cad. 'Tis worse than Sarcasm of Sadler's Wells. You're mild-and your House is mad! More is to come in the Autumn, seigneur HIRTH," with a view to amicably arranging their respective missions. Monseigneur HIRTH wished to sing the old nigger melody of "Out ob de way ole Dan Tucker." Imperial Commissioner objected. Bishop TUCKER, lineal descendant of the celebrated little Thomas who "cried for his supper," wanted to have all the black and white bread to himself according to the ancient nursery tradition of the TUCKER family. Commissioner, quite a GALLIO in We trust by that time you'll have taught 'em his way, wouldn't hear of it. Ultimately Some decency-e'en by the rod. "Not say any more about it ?" That will scarce answer, my lad! Patience may soothe, but I doubt it Much-when the culprits are mad! 66 the two ecclesiastical antagonists came to terms, the Commissioner (Our Own) wisely observing that as the object of both missions was a spiritual one, there ought to be no Hirthly ground for disagreement." |