The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 15
... wall surface with charts and pinned - up notices , etc. Should also be photographed with a long lens if there is room ) . These detail shots continue at a fairly slow rhythm , meanwhile building up the impression of the room by larger ...
... wall surface with charts and pinned - up notices , etc. Should also be photographed with a long lens if there is room ) . These detail shots continue at a fairly slow rhythm , meanwhile building up the impression of the room by larger ...
Side 16
... wall at right angles to Ames ' desk ) . AMES : Morning , Ansel . 8:30 already ? The last part of this line is said over the oscilloscope screen , which goes dead as Ames switches it off . Kieffer glances at his watch , then turns to his ...
... wall at right angles to Ames ' desk ) . AMES : Morning , Ansel . 8:30 already ? The last part of this line is said over the oscilloscope screen , which goes dead as Ames switches it off . Kieffer glances at his watch , then turns to his ...
Side 17
... wall as Kieffer returns , takes an immaculate lab coat from his attaché case , unfolds it and puts it on . He walks down the aisle between the animal cages toward the camera , making small adjustments on the instrument panels attached ...
... wall as Kieffer returns , takes an immaculate lab coat from his attaché case , unfolds it and puts it on . He walks down the aisle between the animal cages toward the camera , making small adjustments on the instrument panels attached ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep shot shoulder silence slowly smooth snow sound track spect STANFORD UNIVERSITY stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom