The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 12
... sound and picture , no esoteric technical terms - except those terms which are more expressive than the non - technical equivalent ( " cut to " instead of " the picture changes to " ) . Instead , these pages are notes for the ...
... sound and picture , no esoteric technical terms - except those terms which are more expressive than the non - technical equivalent ( " cut to " instead of " the picture changes to " ) . Instead , these pages are notes for the ...
Side 13
... sound — which must be neither a recording of the scene represented by the image , nor an emotional equivalent such as background music — is antithesis , then the juxtaposition of the two , skillfully done , results in a ( largely ...
... sound — which must be neither a recording of the scene represented by the image , nor an emotional equivalent such as background music — is antithesis , then the juxtaposition of the two , skillfully done , results in a ( largely ...
Side 17
... sound for these shots is the murmur of a classroom filled with students , before class has begun . Katchen's hand suddenly stops drawing , in the middle of a line . The pencil moves away . Simul- taneously the sound dies down to an ...
... sound for these shots is the murmur of a classroom filled with students , before class has begun . Katchen's hand suddenly stops drawing , in the middle of a line . The pencil moves away . Simul- taneously the sound dies down to an ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window