The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 14
... shot of a line of straight pillars seen at an angle — we are moving straight forward at a slightly increased speed . Drumbeats now normal speed . Same scene is repeated , faster still . Drumbeats like- wise . Scenes are increasingly ...
... shot of a line of straight pillars seen at an angle — we are moving straight forward at a slightly increased speed . Drumbeats now normal speed . Same scene is repeated , faster still . Drumbeats like- wise . Scenes are increasingly ...
Side 15
... shot , but is instead built up from a number of fairly short detail shots in alternation , as two - dimensional as possible ( i.e. , most prominent plane of whatever is looked at should be parallel to plane of screen - back of a cage ...
... shot , but is instead built up from a number of fairly short detail shots in alternation , as two - dimensional as possible ( i.e. , most prominent plane of whatever is looked at should be parallel to plane of screen - back of a cage ...
Side 17
... shot of Kieffer at desk , as Ames leans back and rests one ham on the far corner of the desk . Kieffer's reaction to this is slightly annoyed - we do not see Ames ' face . — AMES : Do me favor and check the scope every hour or so you ...
... shot of Kieffer at desk , as Ames leans back and rests one ham on the far corner of the desk . Kieffer's reaction to this is slightly annoyed - we do not see Ames ' face . — AMES : Do me favor and check the scope every hour or so you ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window