The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... screen is the medium of reaction . It is through identification with the person acted upon on the screen , and not with the person acting , that the film builds up its oscillating power with an audience . This is understood ...
... screen is the medium of reaction . It is through identification with the person acted upon on the screen , and not with the person acting , that the film builds up its oscillating power with an audience . This is understood ...
Side 18
... screen indicates an extremely tall figure , rangy and athletic , arms crossed tightly and impatiently . The camera pans slightly as Townsend turns to look at the screen , and we see the back of his shoulders and head - intercepted lines ...
... screen indicates an extremely tall figure , rangy and athletic , arms crossed tightly and impatiently . The camera pans slightly as Townsend turns to look at the screen , and we see the back of his shoulders and head - intercepted lines ...
Side 19
... screen itself , and the rhythm of the faces doubles , separated by soft cuts- very quick dissolves instead of straight cuts . Finally , a series of Leonardo's sketches of water details of water breaking and rolling past rocks ...
... screen itself , and the rhythm of the faces doubles , separated by soft cuts- very quick dissolves instead of straight cuts . Finally , a series of Leonardo's sketches of water details of water breaking and rolling past rocks ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep shot shoulder silence slowly smooth snow sound track spect STANFORD UNIVERSITY stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom