The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 17
... move on this line , and we cut to a medium shot , panning as he goes from the desk to the door , taking his jacket ... moves surely , but with a lack of spirit indicating she is only passing time . The drawing is built of many short ...
... move on this line , and we cut to a medium shot , panning as he goes from the desk to the door , taking his jacket ... moves surely , but with a lack of spirit indicating she is only passing time . The drawing is built of many short ...
Side 31
... move among his . " Judy , Judy , Judy . " All Cooper could see out of the window was the grey sky , but he knew it had snowed . He didn't move , kept his body wrapped in the elegance of the morning bed , and just shifted his eyes off ...
... move among his . " Judy , Judy , Judy . " All Cooper could see out of the window was the grey sky , but he knew it had snowed . He didn't move , kept his body wrapped in the elegance of the morning bed , and just shifted his eyes off ...
Side 32
... move along the unplowed roads , etching his passing in the smoothness . Today he would have to pay some more on his ... moving in the moaning and thick smells of the slaughterhouse , and with habitual , then empty looks at the valley and ...
... move along the unplowed roads , etching his passing in the smoothness . Today he would have to pay some more on his ... moving in the moaning and thick smells of the slaughterhouse , and with habitual , then empty looks at the valley and ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep shot shoulder silence slowly smooth snow sound track spect STANFORD UNIVERSITY stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom