The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 15
... desk at one wall . ( He thus forms an axis for the various larger views of the lab . ) He is recording figures on a pad of foolscap , which he gets from an oscilloscope and a counter on the face of a small computer . Waste basket ...
... desk at one wall . ( He thus forms an axis for the various larger views of the lab . ) He is recording figures on a pad of foolscap , which he gets from an oscilloscope and a counter on the face of a small computer . Waste basket ...
Side 16
... desk ( located against the wall at right angles to Ames ' desk ) . AMES : Morning , Ansel . 8:30 already ? The last part of this line is said over the oscilloscope screen , which goes dead as Ames switches it off . Kieffer glances at ...
... desk ( located against the wall at right angles to Ames ' desk ) . AMES : Morning , Ansel . 8:30 already ? The last part of this line is said over the oscilloscope screen , which goes dead as Ames switches it off . Kieffer glances at ...
Side 17
... desk , as Ames leans back and rests one ham on the far corner of the desk . Kieffer's reaction to this is slightly annoyed - we do not see Ames ' face . — AMES : Do me favor and check the scope every hour or so you don't have to run any ...
... desk , as Ames leans back and rests one ham on the far corner of the desk . Kieffer's reaction to this is slightly annoyed - we do not see Ames ' face . — AMES : Do me favor and check the scope every hour or so you don't have to run any ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window