The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... color - full or monochrome -versus black and white . It is pretense to assume a film could ever faithfully duplicate the subjective experience of color - just try to catch yourself experiencing a familiar situation in any but its ...
... color - full or monochrome -versus black and white . It is pretense to assume a film could ever faithfully duplicate the subjective experience of color - just try to catch yourself experiencing a familiar situation in any but its ...
Side 14
... color shot of leaves reflected in large windows , plate glass distorting images into bursts of foliage . Zoom repeated several times on different exploding images of leaves . Trumpet or cornet phrases replace drums . Last zoom holds ...
... color shot of leaves reflected in large windows , plate glass distorting images into bursts of foliage . Zoom repeated several times on different exploding images of leaves . Trumpet or cornet phrases replace drums . Last zoom holds ...
Side 18
... color since the da Vinci portrait was flashed on the screen , but the sole source of light is reflected from the yellow projection , so that the difference in color value is not remarkable . ) There is a curious look on Katchen's face ...
... color since the da Vinci portrait was flashed on the screen , but the sole source of light is reflected from the yellow projection , so that the difference in color value is not remarkable . ) There is a curious look on Katchen's face ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep shot shoulder silence slowly smooth snow sound track spect STANFORD UNIVERSITY stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom