The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 15
... coat sitting at a desk at one wall . ( He thus forms an axis for the various larger views of the lab . ) He is recording figures on a pad of foolscap , which he gets from an oscilloscope and a counter on the face of a small computer ...
... coat sitting at a desk at one wall . ( He thus forms an axis for the various larger views of the lab . ) He is recording figures on a pad of foolscap , which he gets from an oscilloscope and a counter on the face of a small computer ...
Side 16
... coat , mumbling . AMES : Okay , I'm sorry . Just edgy . Kieffer , in flat profile , has neatly arranged the contents of his attaché case on his cleared desk - top : thermos , coffee in paper cup , two plain donuts on wax - paper squares ...
... coat , mumbling . AMES : Okay , I'm sorry . Just edgy . Kieffer , in flat profile , has neatly arranged the contents of his attaché case on his cleared desk - top : thermos , coffee in paper cup , two plain donuts on wax - paper squares ...
Side 17
... coat from his attaché case , unfolds it and puts it on . He walks down the aisle between the animal cages toward the camera , making small adjustments on the instrument panels attached to each cage ( temperature , etc. ) We cut to a ...
... coat from his attaché case , unfolds it and puts it on . He walks down the aisle between the animal cages toward the camera , making small adjustments on the instrument panels attached to each cage ( temperature , etc. ) We cut to a ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window