The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 14
... camera is tilting upward along a large pillar . Scene is in black and white . The camera pans ( leans ) sideways and pillar swings slowly off to the left . Another , similar pillar comes up , then out from right to left — we are curving ...
... camera is tilting upward along a large pillar . Scene is in black and white . The camera pans ( leans ) sideways and pillar swings slowly off to the left . Another , similar pillar comes up , then out from right to left — we are curving ...
Side 18
... camera draws closer - he turns , his mouth opens to continue speaking . The camera cuts to Katchen's face , and simultaneously there is a crashing chord from some highly Wagnerian music , which continues , dominating the sound track for ...
... camera draws closer - he turns , his mouth opens to continue speaking . The camera cuts to Katchen's face , and simultaneously there is a crashing chord from some highly Wagnerian music , which continues , dominating the sound track for ...
Side 19
... camera draws back to reveal Townsend , reading from his notes . He looks up . TOWNSEND : . . . and that man is the image of the world . " -- The scene cuts to a view of angular buildings , with much archi- tectural detail , reflected by ...
... camera draws back to reveal Townsend , reading from his notes . He looks up . TOWNSEND : . . . and that man is the image of the world . " -- The scene cuts to a view of angular buildings , with much archi- tectural detail , reflected by ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window