The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... black and white invariably conveys a much more authentic , objective sensation than an equivalent scene in color . This is probably basically due to the fact that newsreels and low - budget films are normally black and white , but the ...
... black and white invariably conveys a much more authentic , objective sensation than an equivalent scene in color . This is probably basically due to the fact that newsreels and low - budget films are normally black and white , but the ...
Side 14
... white on black . The last title comes on the screen in white , then three separate letters in sequence turn blue , yellow , red . Simultaneously , a dominant chord of three notes on a guitar . Title and sound fade . Screen remains black ...
... white on black . The last title comes on the screen in white , then three separate letters in sequence turn blue , yellow , red . Simultaneously , a dominant chord of three notes on a guitar . Title and sound fade . Screen remains black ...
Side 19
... black and white . The following passage is in imitation of cinéma verité : the camera is hand - held , the screen image is flat and grainy , no artificial lighting . The camera concentrates on details such as ash trays , crumpled ...
... black and white . The following passage is in imitation of cinéma verité : the camera is hand - held , the screen image is flat and grainy , no artificial lighting . The camera concentrates on details such as ash trays , crumpled ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window