The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... Townsend and the mental events which lead up to it develop . A stylistic device of extreme importance to The Experiment is the use of color - full or monochrome -versus black and white . It is pretense to assume a film could ever ...
... Townsend and the mental events which lead up to it develop . A stylistic device of extreme importance to The Experiment is the use of color - full or monochrome -versus black and white . It is pretense to assume a film could ever ...
Side 18
... Townsend , a pleasure disproportionate to the impersonal nature of Townsend's question . - TOWNSEND : ( voice only - we see only the slide projection ) Inter- esting . In Europe , at least until recently , you'd find very few people ...
... Townsend , a pleasure disproportionate to the impersonal nature of Townsend's question . - TOWNSEND : ( voice only - we see only the slide projection ) Inter- esting . In Europe , at least until recently , you'd find very few people ...
Side 19
... Townsend's voice . - TOWNSEND : " Now you see that the hope and the desire of returning to the first state of chaos is like the moth to the light , and that the man who with constant longing awaits with joy each new springtime , each ...
... Townsend's voice . - TOWNSEND : " Now you see that the hope and the desire of returning to the first state of chaos is like the moth to the light , and that the man who with constant longing awaits with joy each new springtime , each ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window