Chinese Poetic ClosureP. Lang, 1996 - 168 sider In this comparative study of Chinese poetic closure, Yang Ye focuses on a «scenic ending» that presents an image rather than a statement of thought, as exemplified in the poetry of High T'ang poets like Tu Fu. Chinese Poetic Closure places the development of poetic structure in the Chinese tradition since the ancient anthology, The Book of Songs, and explores the underlying poetics of incompleteness and suggestiveness. In the light of the explication of Western texts (Du Bellay, Hölderlin, and Shelley) and an examination of early reception of Chinese poetry in the West, Ye reflects on fundamental differences between Chinese and Western poetry and poetics. |
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Side 29
... couplet is simple and natural , as befitting the emotions conveyed in it . The third or the neck couplet ( ching - lien ) forms a sharp contrast with the previous couplet in its highly elliptical language and exquisite imagery . His ...
... couplet is simple and natural , as befitting the emotions conveyed in it . The third or the neck couplet ( ching - lien ) forms a sharp contrast with the previous couplet in its highly elliptical language and exquisite imagery . His ...
Side 31
... couplet turns to a description of the scene at the party . Blue River ( Lan - shui ) and Jade Mount ( Yü - shan ) are both in the neighborhood of the Lan - t'ien Villa . The Twin Peaks are those of the Yün - t'ai Mountains . While it is ...
... couplet turns to a description of the scene at the party . Blue River ( Lan - shui ) and Jade Mount ( Yü - shan ) are both in the neighborhood of the Lan - t'ien Villa . The Twin Peaks are those of the Yün - t'ai Mountains . While it is ...
Side 33
... couplet , which after the middle of the eighth century was usually adopted only for the two " inner couplets " in the middle . 23 The images in this couplet present themselves like a kind of montage . The soft breeze is tangible through ...
... couplet , which after the middle of the eighth century was usually adopted only for the two " inner couplets " in the middle . 23 The images in this couplet present themselves like a kind of montage . The soft breeze is tangible through ...
Indhold
Scenic Closure in Tu Fus Poetry | 19 |
Ending in the Beginning | 37 |
A Diachronic Survey | 65 |
Copyright | |
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anthology Arthur Waley beautiful beginning century B.C. Ch'ang-an Ch'i Ch'ien Ch'i's Ch'u Chang Cheng chih Chin Chinese literature Chinese poem Chinese poetry ching Chou chü Chu Hsi chüan Chung Chung-hua shu-chü cited classical close Confucian convention couplet discussion dynasty emotions Emperor English example Feng fowls Fowls-Trussing Han dynasty High T'ang hsing Hsü hsüan Hua Wen-hsüan human K'ung Ku-chi ch'u-pan-she Kūkai last line Li-tai shih-hua Liu Hsieh lü-shih lyric songs Mao's Scholia meta-poetic mind mountains Ozymandias pattern Peking pentasyllabic period poet poet's poetic closure poetic structure poetic text present quatrain reader reading river scene scenic closure Scholia sense Shanghai Shen shih Shih-ching texts stanza Stephen Owen suggested swans T'ang poets T'ang-shih tercet term thought tradition translation Tu Fu tz'u University Press verse Vols Waley Wang Wei Warring States period Wen-hsin tiao-lung wen-hsüeh Western poetry words Yüan zither