Yet this my piteous plight Never can number. Cho. On thy bank, In a rank, Let thy swans sing her, And with their music Along let them bring her. LXX. THE DESCRIPTION OF ELIZIUM. The Introduction to The Muses' Elizium (1630). These fascinating and little-known poems are half made up of pastoral, half of fairy lore. A PARADISE on earth is found, Though far from vulgar sight, Which with those pleasures doth abound That it Elizium hight. Where, in delights that never fade, The Muses lulled be, And sit at pleasure in the shade Of many a stately tree; Which no rough tempest makes to reel, Nor their straight bodies bows; Their lofty tops do never feel The weight of winter's snows. In groves that evermore are green But Philomel (of birds the queen) The merle upon her myrtle perch Who from the top of some curl'd birch Those notes redoubled rings. There daisies damask every place, Nor once their beauties lose, That when proud Phoebus hides his face, The pansy and the violet here, Both from one root, a very pair, And pointing to a pink to tell To judge it; but replies, for smell Wherewith displeased they hang their heads, So angry soon they grow, And from their odoriferous beds Their sweets at it they throw. The winter here a summer is, No waste is made by time, Nor doth the autumn ever miss The blossoms of the prime. The flower that July forth doth bring In April here is seen, The primrose, that puts on the spring, In July decks each green. The sweets for sovereignty contend, That to the very earth they lend, Rills rising out of every bank And playing many a wanton prank In gambols and lascivious gyres Their time they still bestow, Nor to their fountains none retires, Nor on their course will go, Those brooks with lilies bravely deck'd So proud and wanton made, That they their courses quite neglect, And seem as though they stay'd Fair Flora in her state to view, That Phoebus in his lofty race And comes to cool his glowing face In their delicious streams. Oft spreading vines climb up the cliffs, Whose ripen'd clusters there Their liquid purple drop, which drives A vintage through the year: Those cliffs whose craggy sides are clad With trees of sundry suits, Which make continual summer glad, Some ripening, ready some to fall, Pomegranates, lemons, citrons, so There in perpetual summer's shade Among the flowers that never fade, To whom the nymphs upon their lyres Tune many a curious lay, And with their most melodious quires Make short the longest day. The thrice three Virgins heavenly clear, Their trembling timbrels sound, Whilst the three comely Graces there Dance many a dainty round. Decay nor age there nothing knows, As time on plant or creatures grows, The poets' Paradise this is, The Muses' only bower of bliss, Here happy souls (their blessed bowers Of beastly people) spend the hours In harmless mirth and sport. Then on to the Elizian plains Apollo doth invite you, Where he provides with pastoral strains, In Nymphals to delight you. LXXI. A CONTEST. The Sixth Nymphal from The Muses' Elizium (1630). A WOODMAN, fisher, and a swain This Nymphal through with mirth maintain; Whose pleadings so the nymphs do please, That presently they give them bays. Clear had the day been from the dawn, All chequer'd was the sky, *Thin clouds like scarfs of cobweb lawn Veil'd heaven's most glorious eye. The wind had no more strength than this, That leisurely it blew, To make one leaf the next to kiss, That closely by it grew. The rills that on the pebbles play'd Might now be heard at will; This world they only music made, Else everything was still. The flowers, like brave embroider'd girls, Look'd as they much desired, |