Hazlitt on TheatreHill and Wang, 1957 - 211 sider |
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Side 23
... fault of most of our objections on the man- agers . Their conduct has been marked by one uniform character , a paltry attention to their own immediate interest , a distrust of Mr. Kean's abilities to perform more than the character he ...
... fault of most of our objections on the man- agers . Their conduct has been marked by one uniform character , a paltry attention to their own immediate interest , a distrust of Mr. Kean's abilities to perform more than the character he ...
Side 52
... fault of Mr. Kean's acting , that it is always energetic or nothing . He is always on full stretch - never relaxed . He expresses all the violence , the extravagance and fierceness of the pas- sions , but not their misgivings , their ...
... fault of Mr. Kean's acting , that it is always energetic or nothing . He is always on full stretch - never relaxed . He expresses all the violence , the extravagance and fierceness of the pas- sions , but not their misgivings , their ...
Side 108
... fault . We think the fault was in the part , which wants circum- stantial dignity . Give Mr. Kemble only the man to play , why , he is nothing ; give him the paraphernalia of greatness , and he is great . He " wears his heart in ...
... fault . We think the fault was in the part , which wants circum- stantial dignity . Give Mr. Kemble only the man to play , why , he is nothing ; give him the paraphernalia of greatness , and he is great . He " wears his heart in ...
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acter acting action actor actress admirable appearance applause audience beautiful Beggar's Opera char character Charles Kemble comedy comic Coriolanus Covent Garden Covent Garden Theatre criticism Desdemona dignity Drury Lane Drury Lane Theatre effect English Stage equal Examiner excellence expression fancy fault favourite feeling gaiety Garrick genius give grace Hamlet Hazlitt heart human humour Iago imagination imitation impression interest Junius Brutus Booth Kean Kean's Kemble Kemble's King Lady lago laugh Lear Leigh Hunt London Magazine look Macbeth Macready manner mind Miss O'Neill Morning Chronicle nature ness never night O'Neill's Othello passage passion pathos performance person play players pleasure poet Richard Richard II Romeo scene seemed seen sense sentiment Shakespeare Shylock Siddons Siddons's soul speak speech spirit success Theatre theatrical thing thou thought tion tone tragedy voice whole William Archer wish words