Roman Literature in Relation to Roman ArtMacmillan and Company, 1888 - 315 sider |
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Side 3
... Ovid's adherence to strict rule and in the vagueness of Statius we see the incipient stages of imperial influence , which finally ruined Latin poetry , and in the sculpture of their busts and the arch of Severus we see the same ...
... Ovid's adherence to strict rule and in the vagueness of Statius we see the incipient stages of imperial influence , which finally ruined Latin poetry , and in the sculpture of their busts and the arch of Severus we see the same ...
Side 17
... Ovid , and in sculpture the authors of the Laocoon , the ERECTHEION . Farnese Hercules and of the Apollos , suffer under it very severely . How does this influence affect them ? One would suppose that it shewed itself in the ...
... Ovid , and in sculpture the authors of the Laocoon , the ERECTHEION . Farnese Hercules and of the Apollos , suffer under it very severely . How does this influence affect them ? One would suppose that it shewed itself in the ...
Side 80
... an incipient attempt to write a Fasti like that of Ovid . Of these the first , second , eighth , and ninth poems are the most remarkable : Hoc , quodcumque vides , hospes , qua maxima Roma 80 ROMAN LITERATURE AND ART .
... an incipient attempt to write a Fasti like that of Ovid . Of these the first , second , eighth , and ninth poems are the most remarkable : Hoc , quodcumque vides , hospes , qua maxima Roma 80 ROMAN LITERATURE AND ART .
Side 85
... great overgrown Pulfennius breaks into a horse laugh in your face , and offers a clipped centussis for a lot of a hundred Greeks . With this passage Jahn has aptly compared one from Ovid NATIONAL AND HISTORICAL TENDENCY . 85.
... great overgrown Pulfennius breaks into a horse laugh in your face , and offers a clipped centussis for a lot of a hundred Greeks . With this passage Jahn has aptly compared one from Ovid NATIONAL AND HISTORICAL TENDENCY . 85.
Side 86
Robert Burn. With this passage Jahn has aptly compared one from Ovid where he speaks of the carriage in procession of pictures representing mountains and rivers , Quae loca , qui montes , quaeve ferantur aquae . Ar . Am . i . 220.1 ...
Robert Burn. With this passage Jahn has aptly compared one from Ovid where he speaks of the carriage in procession of pictures representing mountains and rivers , Quae loca , qui montes , quaeve ferantur aquae . Ar . Am . i . 220.1 ...
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Æneas Æneid amphitheatres ancient appearance Aqua aqueducts arcades architects artist atque atrium Augustus Basilica beauty bricks buildings built busts Cæsar capitals Capitoline Catullus chap character Cicero Circus Coliseum colonnades colossal columns construction Corinthian decorative Diocletian Domitian domus Doric emperors Eneid Ennius entablature ESSAY expression exterior Farnese Hercules feet Forum Greek Hadrian Hercules heroes Hist Homer Horace houses imitation imperial influence insula Ionic Ionic order Juvenal Latin lines Lucan Lysippus marble Nævius natural Nero Nibby nunc opus ornamental Ovid passages placed Pliny poem poetry Pompeii Porta portico portrait Preller probably quae quam quod remarkable Roma Roman architecture Roman art Roman literature Roman poets Rome roof says Scipio sculpture seen shew shewn side Statius statues stone style tablinum temple theatres thermæ tibi tomb Trajan triumphal arches tufa Tuscan vaulted viii Virgil Vitruvius walls δὲ ἐν καὶ τε τὸ τῶν