Shakespearian Production: With Especial Reference to the Tragedies
Taylor & Francis, 2002 - 323 sider
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
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PREFACE TO THE THIRD EDITION 1963 page
PREFACE TO THE FIRST EDITION 1936
THE SHAKESPEARIAN PLAY
THE THEORY OF PRODUCTION
SOME ACTUAL PRODUCTIONS
THE IDEAL PRODUCTION
SHAKESPEARE AND RITUAL
1949 and 1963
Timon of Athens AND SHYLOCK
TREE AND CRAIG POEL AND BARKER
acting action actor Aeschylus appear audience becomes called central close colour comes contrast Craig curtain death demands direction dramatic effect Elizabethan enters experience expression face figure final follows force formal gesture Ghost give given Hamlet hand Henry hold human important kind King King Lear later less lights lines living look Macbeth meaning mind move movement nature never once Othello performance perhaps persons picture play poetic poetry position present production reading realism reference regarded rises scene seems seen sense Shakespeare Shakespearian Shylock side significant soliloquy sound speaking speech spiritual spoken stage stands steps suggestion symbolic Theatre things thought throne thunder Timon Timon of Athens tion Toronto tragedy tragic Tree Tree's turn universal usually visual voice whole