Poets Thinking: Pope, Whitman, Dickinson, Yeats

Forsideomslag
Harvard University Press, 15. apr. 2006 - 160 sider

Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers.

The four poets taken up in this volume—Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats—come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life’s unfolding, and Yeats thinking in images, using montage in lieu of argument.

With customary lucidity and spirit, Vendler traces through these poets’ lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style—however ancient the theme—that is powerful and original.

 

Indhold

Introduction
3
Alexander Pope Thinking Miniaturizing Modeling and Mocking Ideas
12
Walt Whitman Thinking Transcription Reprise and Temptations Resisted
39
Emily Dickinson Thinking Rearranging Seriality
66
W B Yeats Thinking Thinking in Images Thinking in Assertions
94
Notes
123
Index
141
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Om forfatteren (2006)

Helen Vendler is A. Kingsley Porter University Professor at Harvard University.

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