Allyn and Bacon, 2004 - 738 sider
Understanding Plays As Texts for Performance offers seventeen plays with critical commentaries that span the range of Western writing for the theatre from the Greeks to the post-moderns. This book introduces readers to dramatic writing as "pre-texts" for theatrical performance written not only to be read, but also to be performed by actors before audiences.
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From Text to Performance
PART TWO ELEMENTS OF DRAMA
17 andre sektioner vises ikke
Almindelige termer og sætninger
action ain't ALGERNON AMANDA American audience begins BRACK called cause CECILY characters comes CORY dance dear death don't door drama ELVSTED Enter eyes face father feel followed GALILEO give goes gonna GREEK CHORUS HAMLET hand happened HARPER head hear HEDDA hold human It's JACK JOCASTA keep kind KING LADY LAURA leave LI'L BIT light live look lord LOUIS mean MISS mother move never night OEDIPUS OSCAR OSVALDO Pause PECK performance person play playwright political PRIOR ROSE scene social SONIA speak stage stand stop talk tell TESMAN Thank That's theater there's thing thought TIENG-BIN tion told TROY turn understand University voice wait walk wife woman women writing York