Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 51
... space and even of its tribal structures . The orientalizing gaze first with its military interpreters and then with its pho- tographers and filmmakers — revolves around this closed society , laying even greater stress on its " feminine ...
... space and even of its tribal structures . The orientalizing gaze first with its military interpreters and then with its pho- tographers and filmmakers — revolves around this closed society , laying even greater stress on its " feminine ...
Side 108
... space and time , thus preserving the larger illusion of the narrative as real . In other words , seam- less editing works with a principle of the same , the illusion of sameness . Adynata , however , cuts on difference as a kind of de ...
... space and time , thus preserving the larger illusion of the narrative as real . In other words , seam- less editing works with a principle of the same , the illusion of sameness . Adynata , however , cuts on difference as a kind of de ...
Side 110
... space . One of the first images in the film is an animated but realistic image of the planet revolving . This prefaces the contents of the film with a global dimension , an omniscient point of view which characterizes imperialism ...
... space . One of the first images in the film is an animated but realistic image of the planet revolving . This prefaces the contents of the film with a global dimension , an omniscient point of view which characterizes imperialism ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing