Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 65
... sense of enjoyment in it , a sense of humor , a celebration of the strength of the women in the film . Others said that this film was not necessar- ily " a woman's film " by that they meant Fall - Winter 86-87 65.
... sense of enjoyment in it , a sense of humor , a celebration of the strength of the women in the film . Others said that this film was not necessar- ily " a woman's film " by that they meant Fall - Winter 86-87 65.
Side 105
... sense of continuity which envelops one in the conventional narrative or spectacle , by introducing a scale or perspective enormously out of proportion and context . This kind of montage cuts into pleasure , denying the gaze and turning ...
... sense of continuity which envelops one in the conventional narrative or spectacle , by introducing a scale or perspective enormously out of proportion and context . This kind of montage cuts into pleasure , denying the gaze and turning ...
Side 120
... sense rather than in a stoicist one . ( “ The perfect Tao does not offer difficulty , except that it avoids choosing . . . .Do not oppose yourself to the world of the senses . The sage does not struggle . " ) • This negative ...
... sense rather than in a stoicist one . ( “ The perfect Tao does not offer difficulty , except that it avoids choosing . . . .Do not oppose yourself to the world of the senses . The sage does not struggle . " ) • This negative ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing