Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 66
... seen as almost morally wrong . I can understand the reasons why people would be more comfortable with simple dichotomies , because we live in a situation which is black and white in many ways : class differences are huge , exploitative ...
... seen as almost morally wrong . I can understand the reasons why people would be more comfortable with simple dichotomies , because we live in a situation which is black and white in many ways : class differences are huge , exploitative ...
Side 73
... seen each other . Each one prepares to replay a scene they have always known , the age - old ritual of virility to which they both must submit with a blind obedience . In a few seconds this man and woman will become Man and Woman ...
... seen each other . Each one prepares to replay a scene they have always known , the age - old ritual of virility to which they both must submit with a blind obedience . In a few seconds this man and woman will become Man and Woman ...
Side 74
... seen , has heard . . . . You know what follows . No doubt one could ask plenty of troubling questions about this chain of desire . In reality , aren't the men of Buenos Aires linked ... to each other ? What is the goal of this game , so ...
... seen , has heard . . . . You know what follows . No doubt one could ask plenty of troubling questions about this chain of desire . In reality , aren't the men of Buenos Aires linked ... to each other ? What is the goal of this game , so ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing