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Side 74
There is no question of his turning a deaf ear . ... No doubt one could ask plenty of troubling questions about this chain of desire . ... These questions lead us however where I'd rather not go . . . at least for the moment .
There is no question of his turning a deaf ear . ... No doubt one could ask plenty of troubling questions about this chain of desire . ... These questions lead us however where I'd rather not go . . . at least for the moment .
Side 82
You plunge into laby- rinths of interlocking questions . And interlocking questions , you know , are at the base of Jewish dialogue . “ Why are you porteño ? ” Judeo - argentinian response : " Why wouldn't I be ?
You plunge into laby- rinths of interlocking questions . And interlocking questions , you know , are at the base of Jewish dialogue . “ Why are you porteño ? ” Judeo - argentinian response : " Why wouldn't I be ?
Side 85
Similarly , women and men who move between cultures , languages , and the various configurations of power and meaning in complex colonial situa- tions develop unique responses to questions of identity and writ- ing .
Similarly , women and men who move between cultures , languages , and the various configurations of power and meaning in complex colonial situa- tions develop unique responses to questions of identity and writ- ing .
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absence Adynata Algiers American appears asked becomes body Buenos Aires China Chinese closed color comes completely constructed context continue culture dance dancers desire difference discourse distance dream empty exist expression eyes face fact fear feel female feminine figure film gaze girl gives hand heard identity Indian issue language less live look lost male meaning mirror mother move movement nature never night object once oppressed Orient origin past play political Porteño position possible present questions reflection relation remains representation response seems seen sense silence sound space speak speech story street talk tango things Third World tion turn University veil voice Western whole woman women writing