Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 42
... present in this rarified atmosphere of claustration . Elie Faure tells us that as an old man , Renoir was scarcely able to restrain his tears when he spoke of the lighting of Women of Algiers . Should we cry , like the elderly Renoir ...
... present in this rarified atmosphere of claustration . Elie Faure tells us that as an old man , Renoir was scarcely able to restrain his tears when he spoke of the lighting of Women of Algiers . Should we cry , like the elderly Renoir ...
Side 81
... present . The present is not happy . The hell of the big city is a given ; perhaps this has to be accepted for change to come about . It was Piazzola who chose a woman to be the priest- ess of this tango so resolutely modern in the ...
... present . The present is not happy . The hell of the big city is a given ; perhaps this has to be accepted for change to come about . It was Piazzola who chose a woman to be the priest- ess of this tango so resolutely modern in the ...
Side 93
... present version which is immutable in its claim for authentic- ity . Yet , the " historical " tango is , like all relics , a constructed representation . In the text it functions to destabilize the hetero- sexual myth , to mark the ...
... present version which is immutable in its claim for authentic- ity . Yet , the " historical " tango is , like all relics , a constructed representation . In the text it functions to destabilize the hetero- sexual myth , to mark the ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing