Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 95
... play of mirrors , in this complicity of reflections . . . . It exists only to the extent that Europe looks at it " ( BA 19 ) . This reflec- tion makes Buenos Aires , as a colonial text , a player in the process of Western subjectivity ...
... play of mirrors , in this complicity of reflections . . . . It exists only to the extent that Europe looks at it " ( BA 19 ) . This reflec- tion makes Buenos Aires , as a colonial text , a player in the process of Western subjectivity ...
Side 108
... play of textuality . One such instance is the upside down image of a lake in the Japanese garden , where the reflection / mirror image is right side up and the “ real ” invert- ed . This is simple play with sameness and difference ( or ...
... play of textuality . One such instance is the upside down image of a lake in the Japanese garden , where the reflection / mirror image is right side up and the “ real ” invert- ed . This is simple play with sameness and difference ( or ...
Side 112
... play on closure , Thornton inserts the final sequence from Shoot the Piano Player where gangsters pursue the heroine through the snow and shoot her . The clip has been rephoto- graphed out of focus so that the figures are skeletal ...
... play on closure , Thornton inserts the final sequence from Shoot the Piano Player where gangsters pursue the heroine through the snow and shoot her . The clip has been rephoto- graphed out of focus so that the figures are skeletal ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing