Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 68
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The ...
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The ...
Side 103
... Language : Leslie Thornton's Adynata Linda Peckham Adynata : A stringing together of impossibilities ; sometimes a confes- sion that words fail us Richard A ... Language/Speaking With No Language: Leslie Thornton's Adynata by Linda Peckham.
... Language : Leslie Thornton's Adynata Linda Peckham Adynata : A stringing together of impossibilities ; sometimes a confes- sion that words fail us Richard A ... Language/Speaking With No Language: Leslie Thornton's Adynata by Linda Peckham.
Side 120
... language imposes these two categories , and only those two ? We French are required to speak masculine / feminine . Because it results from a combinatoire of phrases , discourse is in theory completely free . There is no obligatory ...
... language imposes these two categories , and only those two ? We French are required to speak masculine / feminine . Because it results from a combinatoire of phrases , discourse is in theory completely free . There is no obligatory ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing