Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 77
... immigrants who infinitely multiplied this rootlessness , just as in the spherical “ aleph " all the objects and beings of the universe swirl together . For Borges this Aleph is a catalogue , a swarming universe , one of those ...
... immigrants who infinitely multiplied this rootlessness , just as in the spherical “ aleph " all the objects and beings of the universe swirl together . For Borges this Aleph is a catalogue , a swarming universe , one of those ...
Side 80
... immigrants , gauchos there were only men . It makes sense , therefore , that men were the first to do this new , shady , suspect dance . One dances with whomever one can . So no one found it strange that the first chanteuses dressed ...
... immigrants , gauchos there were only men . It makes sense , therefore , that men were the first to do this new , shady , suspect dance . One dances with whomever one can . So no one found it strange that the first chanteuses dressed ...
Side 88
... immigrants were at loose ends , adrift , with only tenuous connections to their new home . Upon arrival they uniformly lost important pieces of their original identities : -- " What is your name ? " asked the Port Commissioner with his ...
... immigrants were at loose ends , adrift , with only tenuous connections to their new home . Upon arrival they uniformly lost important pieces of their original identities : -- " What is your name ? " asked the Port Commissioner with his ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing