Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 68
... heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The language of the film coupled with the ...
... heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The language of the film coupled with the ...
Side 123
... heard . My great - grandparents , grand- parents , and parents were all from the old school . To make yourself heard , if you were a child , was to invite punishment , the backhand lick , the slap across the face that would catch you ...
... heard . My great - grandparents , grand- parents , and parents were all from the old school . To make yourself heard , if you were a child , was to invite punishment , the backhand lick , the slap across the face that would catch you ...
Side 124
... heard . Certainly for black women our struggle has not been to emerge from silence into speech but to change the nature and direction of our speech . To make a speech that compels listeners , one that is heard . - Our speech , " the ...
... heard . Certainly for black women our struggle has not been to emerge from silence into speech but to change the nature and direction of our speech . To make a speech that compels listeners , one that is heard . - Our speech , " the ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing