Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 23
... hand in hand with the compulsion to help the needy , a noble and self - gratifying task that also renders the helper's service indispensable . The part of the Savior has to be filled as long as the belief in the problem of “ endangered ...
... hand in hand with the compulsion to help the needy , a noble and self - gratifying task that also renders the helper's service indispensable . The part of the Savior has to be filled as long as the belief in the problem of “ endangered ...
Side 26
... hand , i play into the Savior's hands by concentrating on authenticity , for my attention is numbed by it and diverted from other , important issues ; on the other hand , i do feel the necessity to return to my so - called roots , since ...
... hand , i play into the Savior's hands by concentrating on authenticity , for my attention is numbed by it and diverted from other , important issues ; on the other hand , i do feel the necessity to return to my so - called roots , since ...
Side 93
... hand in hand like the gauchos of the old tango . The mirror reflects a counter - image flip sides of the same coin : " Idealization or denigration : two ways to fall into a strikingly rigid system of signs . They both have the same ...
... hand in hand like the gauchos of the old tango . The mirror reflects a counter - image flip sides of the same coin : " Idealization or denigration : two ways to fall into a strikingly rigid system of signs . They both have the same ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing