Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 55
... going to the baths - the hammam — at least once a week . But what if he is rich enough to build his own hammam in his home ? In my native city , during the 1930s , when women went to the baths , they went there veiled , but they went ...
... going to the baths - the hammam — at least once a week . But what if he is rich enough to build his own hammam in his home ? In my native city , during the 1930s , when women went to the baths , they went there veiled , but they went ...
Side 80
... going , my cavalier and I , crossing each other , not like the parts of the Christian cross , but like the bones beneath the skull on the pirate's black flag ? Where were we going ? Or , more exactly , where was he going , my private ...
... going , my cavalier and I , crossing each other , not like the parts of the Christian cross , but like the bones beneath the skull on the pirate's black flag ? Where were we going ? Or , more exactly , where was he going , my private ...
Side 94
... going ? " Dilapidated , faded - glory , corny , mixed - up , the Porteña finds the orchestra speaks of the diversity and the place where these elements come to rest : Music of lost memories , of times past , an immense territory of ...
... going ? " Dilapidated , faded - glory , corny , mixed - up , the Porteña finds the orchestra speaks of the diversity and the place where these elements come to rest : Music of lost memories , of times past , an immense territory of ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing