Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 65
... film premiered . In retrospect , how do you feel about the response to the film in India ? - Mira : I don't know whether my experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in ...
... film premiered . In retrospect , how do you feel about the response to the film in India ? - Mira : I don't know whether my experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in ...
Side 68
... films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The language of the film coupled with the actual portraiture of the women did open people's eyes in a ...
... films because the language of films is a very constructed language , the same way that the “ reality ” of a film is a fabricated one . The language of the film coupled with the actual portraiture of the women did open people's eyes in a ...
Side 70
... film is a landmark in films about Indian contem- porary society . It is radical in its subject matter and relentless in revealing to the viewer the profound discrimination that exists toward women ( of all classes ) in India . It is ...
... film is a landmark in films about Indian contem- porary society . It is radical in its subject matter and relentless in revealing to the viewer the profound discrimination that exists toward women ( of all classes ) in India . It is ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing