Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 86
... desire for wholeness . Death , loss , separation . . . this is what the subject cannot face . Yet , this is what makes the subject . The inability to countenance this para- dox leads to a pre - occupation with origin stories ...
... desire for wholeness . Death , loss , separation . . . this is what the subject cannot face . Yet , this is what makes the subject . The inability to countenance this para- dox leads to a pre - occupation with origin stories ...
Side 103
... desire , they are fictions , the product of a narra- tive or quasi - history that has pictured this ( their ) body of imagery as its utopia . Adynata interrogates the apparatus of desire that makes the meaning of the spectacle possible ...
... desire , they are fictions , the product of a narra- tive or quasi - history that has pictured this ( their ) body of imagery as its utopia . Adynata interrogates the apparatus of desire that makes the meaning of the spectacle possible ...
Side 118
... desire ) , signifiers are rare in China . Here , however , are three of them , in random order . First of all , the cuisine , which , as everyone knows , is the most complex in all the world ; next , because they are present in enormous ...
... desire ) , signifiers are rare in China . Here , however , are three of them , in random order . First of all , the cuisine , which , as everyone knows , is the most complex in all the world ; next , because they are present in enormous ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing