Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 63
... dance floor . This was , I discovered , Rule Number One . -- → Rekha and Rosy were the only two of the six dancers who unhesitantly agreed to be filmed . Getting the camera into the Meghraj was the biggest hurdle of all . Suresh — the ...
... dance floor . This was , I discovered , Rule Number One . -- → Rekha and Rosy were the only two of the six dancers who unhesitantly agreed to be filmed . Getting the camera into the Meghraj was the biggest hurdle of all . Suresh — the ...
Side 79
... dances with just anyone , as they do in the current fashion . She dances only with certain partners , just as she makes love only with certain men . What happens between two people who dance the tango is unique each time . The tango is ...
... dances with just anyone , as they do in the current fashion . She dances only with certain partners , just as she makes love only with certain men . What happens between two people who dance the tango is unique each time . The tango is ...
Side 80
... dance first appeared in the slums of Buenos Aires , this was true . But something happened between the masculine ... dance . One dances with whomever one can . So no one found it strange that the first chanteuses dressed like men in the ...
... dance first appeared in the slums of Buenos Aires , this was true . But something happened between the masculine ... dance . One dances with whomever one can . So no one found it strange that the first chanteuses dressed like men in the ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing