Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 7
... China " ; " What was China like ? " ; " What about China ? " ; " Well , how was China ? " All of these share a quality peculiar to the discursive mode of English , which tends to overdot its i's and to spell out the subject - object ...
... China " ; " What was China like ? " ; " What about China ? " ; " Well , how was China ? " All of these share a quality peculiar to the discursive mode of English , which tends to overdot its i's and to spell out the subject - object ...
Side 118
... China is peaceful . Is not peace ( to which Chinese onomastics makes such frequent reference ) the region , utopian for us , where the war of meanings is abolished ? In Chi- na , meaning is annulled , exempted from being in all those ...
... China is peaceful . Is not peace ( to which Chinese onomastics makes such frequent reference ) the region , utopian for us , where the war of meanings is abolished ? In Chi- na , meaning is annulled , exempted from being in all those ...
Side 120
... China , an immense object , and for many a crucial one , I have tried to produce this was my truth - a discourse that was neither assertive nor negative , nor neutral- a commentary whose tone would be : no comment . An assent ( a mode ...
... China , an immense object , and for many a crucial one , I have tried to produce this was my truth - a discourse that was neither assertive nor negative , nor neutral- a commentary whose tone would be : no comment . An assent ( a mode ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing