Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 8Indiana University Press, 1986 |
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Side 39
... Algiers for a short stopover . He had just spent a month in Morocco , immersed in an atmosphere of extraordinary visual richness ( sumptuous costumes , frenzied displays of horsemanship , the opulence of a royal court , picturesque ...
... Algiers for a short stopover . He had just spent a month in Morocco , immersed in an atmosphere of extraordinary visual richness ( sumptuous costumes , frenzied displays of horsemanship , the opulence of a royal court , picturesque ...
Side 41
... Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi ... Algiers , Delacroix again re- called it , worked on it once more , and in the Salon of 1849 he exhibited a second ...
... Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi ... Algiers , Delacroix again re- called it , worked on it once more , and in the Salon of 1849 he exhibited a second ...
Side 42
... Algiers . The composition is very nearly identical , but several changes make the latent meaning of the picture appear more clearly through recurrence . In this second version , in which the features of the figures are less clearly ...
... Algiers . The composition is very nearly identical , but several changes make the latent meaning of the picture appear more clearly through recurrence . In this second version , in which the features of the figures are less clearly ...
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absence Algerian American Arab Argentina Asian asked Assia Djebar Audre Lorde authentic Bell Hooks black women body Buenos Aires cabaret dancers chain of desire China Chinese cinema context culture dance Delacroix difference discourse displacement distance dream empty Europe everywhere exile exist eyes face fear feel feminine feminist figure Film Festival found footage gaucho gaze gender gesture harem heard immigrants India Cabaret Indian invented issue language liberation look Lorde male Mas'udah masculine meaning metaphor Mira Mira Nair mirror Mitsuye Yamada mother move narrative never night nostalgia oppressed Orient Ortiz pampa piropo play political Porteño present questions Rekha remains representation right speech sense sexual silence song Sooni Sooni Taraporevala space speak story street talking back tango Thornton tion Trinh trompe l'oeil veil voice Western woman Women of Algiers women of color words writing