Fra bogen
Resultater 1-3 af 12
Side 41
Women of Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi - re- cumbent , leaning with her elbow on some cushions . A servant woman , her back to the spectator , raises her ...
Women of Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi - re- cumbent , leaning with her elbow on some cushions . A servant woman , her back to the spectator , raises her ...
Side 42
exhibited a second version of Women of Algiers . The composition is very nearly identical , but several changes make the latent meaning of the picture appear more clearly through recurrence . In this second version , in which the ...
exhibited a second version of Women of Algiers . The composition is very nearly identical , but several changes make the latent meaning of the picture appear more clearly through recurrence . In this second version , in which the ...
Side 46
( After all , in the Algiers of 1832 the only man who allows a foreign artist to enter the harem is precisely a former privateer , now vanquished and henceforth an attendant taking orders from a French civil ser- vant . ) ...
( After all , in the Algiers of 1832 the only man who allows a foreign artist to enter the harem is precisely a former privateer , now vanquished and henceforth an attendant taking orders from a French civil ser- vant . ) ...
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Andre udgaver - Se alle
Almindelige termer og sætninger
absence Adynata Algiers American appears asked becomes body Buenos Aires China Chinese closed color comes completely constructed context continue culture dance dancers desire difference discourse distance dream empty exist expression eyes face fact fear feel female feminine figure film gaze girl gives hand heard identity Indian issue language less live look lost male meaning mirror mother move movement nature never night object once oppressed Orient origin past play political Porteño position possible present questions reflection relation remains representation response seems seen sense silence sound space speak speech story street talk tango things Third World tion turn University veil voice Western whole woman women writing