Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 10
... whole environment , making it the expression of our cognising self . Of course , virtually the whole of mental life falls comfortably somewhere between the two poles . Objective awareness of the boundaries dividing the self from its ...
... whole environment , making it the expression of our cognising self . Of course , virtually the whole of mental life falls comfortably somewhere between the two poles . Objective awareness of the boundaries dividing the self from its ...
Side 60
... whole life to be wasted in self - obsessed meditation or guilt . Illusion invites both exploitation , and devastating correction from the nature of ' things as they are ' . Radcliffe's Promethean villains also tend to be men who were ...
... whole life to be wasted in self - obsessed meditation or guilt . Illusion invites both exploitation , and devastating correction from the nature of ' things as they are ' . Radcliffe's Promethean villains also tend to be men who were ...
Side 214
... whole of nature ' , he observed , ' is not understood in Shelley in terms of existence , but activity . It is not what things are , but what comes forth from them , streaming out as a power proceeding from them , as action , that ...
... whole of nature ' , he observed , ' is not understood in Shelley in terms of existence , but activity . It is not what things are , but what comes forth from them , streaming out as a power proceeding from them , as action , that ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing