Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 52
... universe suffused and held together by affinities and analogies between its parts , once a central philosophical thought , was decisively rejected . All ' occult qualities ' , such as earlier philosophers had conceived , were abolished ...
... universe suffused and held together by affinities and analogies between its parts , once a central philosophical thought , was decisively rejected . All ' occult qualities ' , such as earlier philosophers had conceived , were abolished ...
Side 129
... universe , so also he cannot understand the Judaic doctrine which for thousands of years effectively neutralised the Ahrimanic terror of that universe - the doctrine of creation . The vast and frightening aspects of nature , mountains ...
... universe , so also he cannot understand the Judaic doctrine which for thousands of years effectively neutralised the Ahrimanic terror of that universe - the doctrine of creation . The vast and frightening aspects of nature , mountains ...
Side 176
... universe . It may be infinitely large and incomprehensibly complex – but the sleeping infant is replete with infinities far more significant . Hegel was likewise to dismiss the mere endlessness of the universe , and contrast it with the ...
... universe . It may be infinitely large and incomprehensibly complex – but the sleeping infant is replete with infinities far more significant . Hegel was likewise to dismiss the mere endlessness of the universe , and contrast it with the ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing