Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 20
... ultimate truth or a vacuous tissue of fine words ? Shelley the philosopher fails to give an answer that convinces us of his authenticity . Shelley the man and poet has reached the expansive limit of consciousness : beyond it he senses ...
... ultimate truth or a vacuous tissue of fine words ? Shelley the philosopher fails to give an answer that convinces us of his authenticity . Shelley the man and poet has reached the expansive limit of consciousness : beyond it he senses ...
Side 149
... ultimate consequences of his dark acceptance : Depart not as thy shadow came , Depart not - lest the grave should be , Like life and fear , a dark reality.11 The poem moves now toward the world of Gothic imagination , through which ...
... ultimate consequences of his dark acceptance : Depart not as thy shadow came , Depart not - lest the grave should be , Like life and fear , a dark reality.11 The poem moves now toward the world of Gothic imagination , through which ...
Side 189
... ultimate world - view must also finally give some idea of the reality itself with which we stand in human relationship : that reality is theologically called God , specifically , God the Father . ( Again , not every conception of ultimate ...
... ultimate world - view must also finally give some idea of the reality itself with which we stand in human relationship : that reality is theologically called God , specifically , God the Father . ( Again , not every conception of ultimate ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing