Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 17
... sometimes immensely subtle , sometimes bafflingly elusive , sometimes unsurpassed in its lyrical power . But it shows Shelley as in essence a poet . He is always as passionately concerned with the human implications as with the logical ...
... sometimes immensely subtle , sometimes bafflingly elusive , sometimes unsurpassed in its lyrical power . But it shows Shelley as in essence a poet . He is always as passionately concerned with the human implications as with the logical ...
Side 46
... sometimes destructive brightness . By way of contrast , Gothic writing is preoccupied with a nightmare world - order of uncontrollable , unpredictable events where almost nothing of subjectivity can exist except that state of inner ...
... sometimes destructive brightness . By way of contrast , Gothic writing is preoccupied with a nightmare world - order of uncontrollable , unpredictable events where almost nothing of subjectivity can exist except that state of inner ...
Side 98
... Sometimes he seems to himself to be a wanderer in dreary night ; sometimes to have lost his way under the hill and to be dreaming strange dreams ; sometimes to be hastening toward the light on the horizon . He wanders , like a day ...
... Sometimes he seems to himself to be a wanderer in dreary night ; sometimes to have lost his way under the hill and to be dreaming strange dreams ; sometimes to be hastening toward the light on the horizon . He wanders , like a day ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Andre udgaver - Se alle
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing