Power and Self-consciousness in the Poetry of ShelleyMacmillan, 1986 - 234 sider |
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Side 77
... shapes the busy thoughts outnumber Of those who wake and live.23 This is different from the more common conception of the soul rising into higher spheres , the possibility considered by Southey , for example , in Joan of Arc : Or that ...
... shapes the busy thoughts outnumber Of those who wake and live.23 This is different from the more common conception of the soul rising into higher spheres , the possibility considered by Southey , for example , in Joan of Arc : Or that ...
Side 105
... shapes , whose smallest change / A subtler language within language wrought ' : from Carsten Niebuhr , ' Voyage en Arabie ' ( 1776 ) . its multiple combinations of ' clear , elemental shapes ' as the original language of thought , and ...
... shapes , whose smallest change / A subtler language within language wrought ' : from Carsten Niebuhr , ' Voyage en Arabie ' ( 1776 ) . its multiple combinations of ' clear , elemental shapes ' as the original language of thought , and ...
Side 183
... shape waned in the coming light , As veil by veil the silent splendour drops From Lucifer.34 Shelley's old antitheses ... shapes ' . These no longer inhabit the ' lampless deep ' , as in Prometheus Unbound , kept at bay by the power of ...
... shape waned in the coming light , As veil by veil the silent splendour drops From Lucifer.34 Shelley's old antitheses ... shapes ' . These no longer inhabit the ' lampless deep ' , as in Prometheus Unbound , kept at bay by the power of ...
Indhold
the Painted Veil | 1 |
Contrary Landscapes | 8 |
Literary Powers | 26 |
Copyright | |
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Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Begrænset visning - 1986 |
Power and Self-Consciousness in the Poetry of Shelley Andrew J Welburn,Thomas Heinzen Ingen forhåndsvisning - 2014 |
Almindelige termer og sætninger
achievement Ahrimanic already appears attempt awareness Beauty become begin believe Blake Caleb Williams called century characters Christian Coleridge Complete conception consciousness continued critics daemonic dark death depths doubt effect elements emotion example existence experience fear feeling figure final forces Gothic hope human ideal ideas imagination important individual influence intellectual intense interest Italy knowledge landscape later light limits literary living London look magic magnetism man's material means Metaphysics mind moral move mysterious nature novel objects occult once original painted veil passage perception perhaps philosophical poem poet poetic poetry possible present Prometheus Unbound reality reason remains response Romantic scepticism seems sense Sensibility sentimental shapes Shelley Shelley's sometimes soul Speculations spirit suggests terror things thought tradition truth turn ultimate understanding universe vision visionary whole writing